HEMISPHERIC DECOLONIAL THOUGHT
CIMARRONAJE PHILOSOPHY
Bey, Marquis. Anarcho-Blackness: Notes Toward a Black Anarchism. Oakland: AK Press, 2020.
Campbell, Mavis. The Maroons of Jamaica 1655-1796: A History of Resistance, Collaboration and Betrayal. Bergin & Garvey, 1988.
Curiel, Ochy. La nación heterosexual: Análisis del discurso jurídico y el régimen heterosexual desde la antropología de la dominación. Bogotá: Escuela Nacional Sindical, 2007.
Espinosa Miñoso, Yuderkys, et al. Decolonial Feminism in Abya Yala: Caribbean, Meso, and South American Contributions and Challenges. Lanham: Rowman & Littlefield, 2020.
Fouchard, Jean. The Haitian Maroons: Liberty or Death. New York: E. W Blyden Press, 1981.
Harney, Stefano and Fred Moten. The Undercommons: Fugitive Planning and Black Study. Williamsburg: Autonomedia, 2013.
Helg, Aline. Slave No More: Self-Liberation before Abolitionism in the Americas. Chapel Hill: University of North Carolina Press, 2019.
Lao-Montes, Agustín. “La filosofía de la liberación y sus avatares descoloniales en clave de africanía.” Analysis, vol. 20, no. 5, 2017, pp. 1-37.
Lebrón Ortiz, Pedro. Filosofía Del Cimarronaje. Tao Baja: Editora Educación Emergente, 2020.
Léger, Marc James and David Tomas, editors. “Zapantera Negra: An Artistic Encounter Between Black Panthers and Zapatistas.” New York: Common Notions, 2022.
León Castro, Edizon. Acercamiento crítico al cimarronaje a partir de la teoría política, los estudios culturales, y la filosofía de la existencia. Quito, 2015, 350 p. Tesis (Doctorado en Estudios Culturales Latinoamericanos). Universidad Andina Simón Bolívar, Sede Ecuador. Área de Estudios Sociales y Globales.
–. Filosofía de las existencias desde el cimarronaje: Desaprendizajes desde los márgenes. Editorial Abya Yala, 2021.
Bocafloja & Quilomboarte-Sociedad Cimarrona.
GENDER AND FEMINISMS EN LA DIASPORA AFRO-MEXICANA
Chew, Selfa A. “Representations of Black Womanhood in Mexico.” Studies in Latin American Popular Culture. vol. 36, no. 1, 2018, pp. 108-127.
Huerta, Itza. “Nunca Más un México sin Nosotras: Feminismo y mujeres afromexicanas.” Política y Cultura, enero-junio 2019, núm. 51, pp. 105-124.
Iturralde Nieto, Gabriela y Velázquez, María Elisa, Afroamericanas: trayectoria, derechos y participación política. Instituto Electoral de la Ciudad de México, Colección Género y Democracia 8, 2020, pp. 81.
Mitjans Alayón, A. Tito. ““La Puente Prieta”: feminismos disidentes y afrodiaspóricos en San Cristóbal de Las Casas.” Doctoral issertation, Universidad de Ciencias y Artes de Chiapas. Centro de Estudios Superiores de México y Centroamérica, 2020.
Ramsay, Paulette A. Afro-Mexican Constructions of Diaspora, Gender, Identity and Nation. Kingston: University Press of the West Indies, 2016.
Salinas, Rosa María Castro et al. “Black Women’s Epistemological Contributions: Afro-Mexican Women in the Twenty-First Century.” Black Feminist Constellations: Dialogue and Translation across the Americas, edited by Christen A. Smith and Lorraine Leu. Austin: University of Texas Press, 2023.
—. “Black Women’s Struggle in Mexico: Anti-racism, Community Organization, and Reparation Politics” (A conversation between Rosa María Castro Salinas, Itza Amanda Varela Huerta, and Meztli Yoalli Rodríguez Aguilera; introduction by Meztli Yoalli Rodríguez Aguilera; translation and editing by Daisy E. Guzman Nuñez and Alida Perrine) in Black Feminist Constellations: Dialogue and Translation across the Americas, edited by Christen A. Smith and Lorraine Leu. Austin: University of Texas Press, 2023.
EMBODYING DIASPORAS: TRANSNATIONAL EXPRESSIVE CULTURE
Aguirre Tinoco, Humberto. Sones de la tierra y cantares jarochos. Mexico D.F.: CONACULTA: Programa de Desarrollo Cultural de Sotavento, 1991.
Alvarez, Luís. “Reggae on the Border: The Possibilities of a Frontera Soundscape.” Transnational Encounters: Music and Performance at the U.S.-Mexico Border. edited by Alejandro Madrid. New York: Oxford University Press, 2011.
Cervantes, Marco. “Squeezebox Poetics: Locating Afromestizaje in Esteban Jordan’s Texas Conjunto Performance.” American Quarterly, vol. 65, No. 4., 2013, pp. 853-876. 2013.
Cuevas, Marco Polo Hernández. África en el Carnaval Mexicano. México D.F.: Plaza y Valdés Editores, 2005.
Cunin, Elisabeth. “Blackness and Mestizaje: Afro-Caribbean Music in Chetumal, Mexico.” Latin American and Caribbean Ethnic Studies. vol. 9, no. 1., 2013, pp.1-22.
García de Leon, Antonio. “El Caribe afroandaluz: permanencias de una civilización popular,” La Jornada semanal. México, 1992, pp. 27-33.
—. El mar de los deseos: El Caribe hispano música historia y contrapunto. México, D.F.: Siglo XXI, 2002.
—. Fandango. El ritual del mundo jarocho a través de los siglos. México D.F: CONACULTA, Programa de Desarrollo Cultural del Sotavento, 2006.
Díaz-Sánchez, Micaela and Alexandro D. Hernández. “The Son Jarocho as Afro-Mexican Resistance Music.” The Journal of Pan African Studies, vol.6, no.1, 2013, pp. 187-209.
Figueroa-Hernández, Rafael. Son Jarocho: Guía histórico-musical. Mexico D.F.: CONACULTA: Programa de Desarrollo Cultural de Sotavento, 2012
González, Anita. Jarocho’s Soul: Cultural Identity and Afro-Mexican Dance. Lanham: University Press of America, 2004.
—-. Afro-Mexico: Dancing Between Myth and Reality. Austin: University of Texas Press, 2010.
—. “Navigations: Diasporic Transports and Landings” in Black Performance Theory. Durham: Duke University Press, 2014.
González, Martha. “Zapateado Afro-Chicana Fandango Style: Self- Reflective Moments in Zapateado.” Dancing Across Borders: Danzas y Bailes Mexicanos, edited by Olga Nájera-Ramírez, Norma E. Cantú, and Brenda M. Romero. Urbana: University of Illinois Press, 2009.
—. Chican@ Artivistas: Music, Community, and Transborder Tactics. Austin: University of Texas Press, 2020.
Johnson, Gaye T. M. “A Sifting of Centuries: Afro-Chicano Interaction and Popular Musical Culture in California, 1960-2000.” Decolonial Voices: Chicana and Chicano Cultural Studies in the 21st Century. Bloomington: Indiana University Press, 2002, pp. 316–17.
Madrid, Alejandro L. “Transnational Identity, the Singing of Spirituals, and the Performance of Blackness Among Mascogos.” Transnational Encounters: Music and Performance at the U.S.-Mexico Border. edited by Alejandro Madrid. New York: Oxford University Press, 2011, pp. 171-190.
Pelaez Lopez, Alan. When Language Broke Open. Tucson: University of Arizona Press. 2023.
Sandoval, Cueponcaxochitl D. Moreno et. al. Storying Son Jarocho Fandango: A Culturally Decolonizing Pedagogy in Ethnic Studies. New York: Teachers College Press, 2024.
Téllez, Michelle and Yvonne Montoya. “Dance in the Desert Latinx Bodies in Movement Beyond Borders.” Latinx Belonging : Community Building and Resilience in the United States. edited by Natalia Deeb Sossa and Jennifer Bickham Méndez. Tucson: University of Arizona Press. 2022.